The Algorithmic Irony: Self-Publishing Tech Criticism in the Attention Economy
An Italian writer recently articulated the profound irony of his experience self-publishing satirical books, such as 'The Algorithm Is an Asshole' and 'The Performance: 36 Portraits of Life in the Attention Economy.' Despite crafting works that dissect and critique the very mechanisms of the attention economy and algorithm manipulation, he encountered zero sales over months. His attempts at promotion, including services like BookSprout, yielded no meaningful results, leading to a crushing sense of being sabotaged by the systems his books aim to expose.
The Algorithmic Paradox
The author's frustration stemmed from a belief that the algorithms on platforms like Amazon were actively working against him, burying his content precisely because it criticized their nature. This perceived targeted suppression felt like a cruel, Kafkaesque joke, where the medium became the message's greatest antagonist.
A Universal Challenge, Not Personal Persecution
However, a counter-perspective emerged, suggesting that the author's experience, while frustrating, might not be a unique form of persecution. It's observed that algorithms are largely indifferent and do not typically differentiate between content that criticizes or praises them. Instead, they present a universal challenge for all content vying for attention online. Every creator, regardless of their message's stance, struggles with algorithmic visibility.
This insight is particularly valuable for independent authors and content creators. It shifts the focus from battling perceived intentional suppression to understanding the general mechanics of algorithmic discovery. The difficulty in gaining traction is less about the content's critical nature and more about the inherent competitive landscape and the sheer volume of material algorithms process. Navigating this environment requires strategies tailored to general algorithmic behavior, focusing on discoverability and audience engagement that transcends the specific critique within the work.